When The Oceania Project began conducting Whale research expeditions in 1989, they needed a logo that captured the essence of their mission, the care and conservation of Cetacea through original research, dissemination of information, education, and networking. To achieve this Stephen focused on presenting the predominant view of Earth, the Pacific Ocean. Drawing attention to this view raises awareness of the ocean’s critical role in the Earth’s ecosystem. The Nautilus, unchanged for more than five hundred million years, was added as a symbol of the ocean’s ancient nature, while also giving it a voice through the shell’s resonance. An illustration of a mother and calf Humpback Whale was subsequently added to reflect the research focus of The Oceania Project expeditions. This logo has since continued to effectively communicate the main objective of the organisation: ‘To promote community awareness and co-operation to instigate and maintain the process of rehabilitation, preservation, and conservation of Cetacea and the Oceans’.

Creative Direction: Stephen Franklin
Graphic Design: Stephen Franklin
Illustration: Stephen Franklin
Oceania Project logo with Ocean world, Nautilus shell, Humpback Whales, and brand name below.
Oceania was called out as the primary part of the brand name, providing a single focus whilst tying it to the symbol above.
The logo was used extensively throughout The Oceania Project’s marketing materials, as seen here with the Expedition brochure, and a variant of design created for The Oceania Youth Project.
Songlines CD cover with illustration of Humpback Whale floating through sound waves, and logo.
More recent usages saw the addition of the “Caring for Whales & Dolphins” tagline as seen above on the Songlines CD Cover.

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FOOD Club Night 1st Birthday Poster and Flyer
Street poster and flyer for FOOD club night 1st Birthday celebrations, Dublin, Ireland.
BigPond Cable Packaging Image
Worked with the Art Director at the Frontline agency to produce this secondary pack image, used as part of a Telstra Big Pond Cable Modem packaging. Involved matching and applying the colour halftone screen effect of the hand image to an image of the Microsoft mouse, combining both into a seamless composition.
TAFE NSW Snakes & Ladders TVC Illustration
Snakes and ladders illustration used as the central prop for a TAFE NSW television commercial. Final artwork was produced at a size of 3 x 3 metres and used on set. The largest snake was later animated and composited with live action to complete the ad.
John Bullers Pies Packaging Artwork
Creative artworking for the John Bullers Family Pies. A new product range from Green Isle Foods.
Donegal Catch Packaging Artwork
While working as the Creative Artworker at Mesh Design, Stephen was tasked with building the finished artwork for the Donegal Catch range from Green Isle foods.
Green Isle Potato Bake Packaging Artwork
Creative artworking on the Green Isle Potato Bake flexographic packaging finished artwork.
Concept Visualisations for Landini Associates
Concept visualisations created for Landini Associates client projects. Each image was based on supplied architectural elevations, along with a creative brief for the materials to be used for the interior design.
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A seventy-page report on Queensland energy. Franklin designed the complete report including all graphs, charts, and illustrations. The target format was a short run digitally printed document.
Microsoft Catalogue Cover Image
Cover image of the Microsoft Windows product catalogue produced for the Frontline agency, Sydney, Australia. This image is a composite of multiple stock photography images and a photographic shoot involving two models: one for positioning and one for face and hands.
Eventuality Website
Design and development of the Eventuality website, Dublin, Ireland.
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